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In studying a film such as Mulholland Drive we are considering a film that’s regarded as a contemporary ‘classic’. There are a wealth of ideas to engage with in the discourse about the film. Discourse refers to the conversations and debates around the film, or any particular subject, and the perspectives of such conversations can engage us in a range of valuable ideas.
Mulholland Drive offers up a rich experience for us as viewers of film and as students with an interest in thinking our way around a film and how it affects our thoughts and our feelings and how we bring certain kinds of interest to a film because of what ‘meanings’ it creates in our responses. As a film viewer, we can bring recognise various kinds of significance, relevance and resonance they may be present in a film and these qualities and points of interest can be very separate (and, indeed, different) to whatever it might be that its ‘author’ intends.
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In studying a film such as The Joker, we are considering a film that’s regarded as a contemporary ‘classic’. There are a wealth of ideas to engage with in the discourse about the film. Discourse refers to the conversations and debates around the film, or any particular subject, and the perspectives of such conversations can engage us in a range of valuable ideas.
Rationale Section A of Paper 1 focuses upon the micro-elements of film form and the construction of meaning and response by both filmmaker and spectator, with a particular focus on US films from the Silent Era to 1990. Knowledge and understanding of film form and its key terms will be developed through: * studying the micro-elements of film form * identifying how these elements construct meanings and contribute to the aesthetics of film * an appreciation of film poetics: film as a constructed artefact, resulting from processes of selection and combination
In studying a film such as The Worst Person in the World (Verdens verste menneske), we are considering a film that’s regarded as a contemporary ‘classic’. There are a wealth of ideas to engage with in the discourse about the film. Discourse refers to the conversations and debates around the film, or any particular subject, and the perspectives of such conversations can engage us in a range of valuable ideas.
Eduqas A Level Film Studies British Film since 1995 New Case Study 2025 Films Section A of Paper 1 focuses upon the micro-elements of film form and the construction of meaning and response by both filmmaker and spectator, with a particular focus on US films from the Silent Era to 1990.
Section B: Documentary Film (single-film study) Resource: Analysing a Documentary Film Sisters in Law (Ayisi and Longinotto, Cameroon and UK, 2005) The Arbor (Barnard, UK, 2010) Stories We Tell (Polley, Canada, 2012) live! 20,000 Days on Earth (Forsyth and Pollard, UK, 2014) Amy (Kapadia, UK, 2005) Context: Amy Winehouse 'Popstar'
GCSE and A Level Results Surgery EduscribersWe hope that today and last week were causes for celebrations and pain-free. We have had so many thank you messages from our members and we would love to hear from you.Email us hereWant advice? See below
There’s an idea (elegantly expressed by the novelist Italo Calvino) that’s worth engaging with and returning to quite often in relation to the films that we study at A Level and it’s this: that a classic is a story that has not yet finished with what it has to say to an audience. The film Sunrise: A Song of Two Humans is one such film ‘classic’. Indeed, it is a silent film that’s sometimes discussed in relation to two other films that were contemporaneous with it: The Wind and The Crowd.
What’s exciting about this opportunity is to use film as a conduit for discussing all manner of social, political, cultural and historical topics. This is one of the wonderful things about film as a medium, it can make a topic so very accessible for all. We all have an opinion on the films we have watched and so even if a student isn’t planning on studying film at university we can still use the medium of film to engage them in a range of topics that will be relevant to them. Epics Gone with the Wind Netflix? No Amazon Rent £3.49 Sky Cinema & Now TV Don't forget to also try BBC iplayer, All 4 and ITV
